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I began the LUMINA series in 2009 after MUSEO was published a year earlier as I intended to work primarily in colour from then on. The transition from black and white photography has not been easy, as I found that colour completely destroyed the essence of an image when it is over-represented within the frame.

The abstraction of colour to its minimum, and focusing on subtle and minimal hues was a challenge that I did not expect would work, but, over the years and after numerous editing sessions, I have come to respect its formal representation, which are displayed in this collection.

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