Print Sale ! Jardin du Paillon, Nice, France

Thinking of a last minute present? Here’s a print you can have before Christmas. It was taken in the summer of 2015, in Nice, France.

I’m about to make a print order for this image, size 20×16 inches (50cm x 40cm), limited edition 10 only, Price $100 plus postage. I’ll be sending orders to Cambodia, Japan and USA, so there’s 7 prints remain in this edition.

Postage : Asia /USA $25.00, Europe $15.00.

Print on Fujifilm Crystal Archive satin or gloss, or Kodak Endura Metallic paper (nice!)
All prints will be signed, editioned and embossed, by me!
Send me a message on svllee@gmail.com

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Photos Paris

Approche.Paris

“ How can you talk about photography without talking about desire?” Hervé Guibert, L’Image fantôme. Photography expanded its scope to space and in volume in the 1960s (a development which then sped up during the 1970s).

This evolution gives metaphorical proof of the importance that contemporary art has acquired in the development of photography. Approche puts forward the hypothesis-and even bets on the idea that photography has an articulate and autonomous body whose two feet are firmly anchored to the contemporary scene. Moreover, the exploratory dimension of  photography (as it has been written during its protohistory) has paved the way for certain contemporary artistic expressions. “

 


Art is everywhere. Art is nowhere.

I am in Paris for a couple of nights to visit Paris Photo and also meet up with some photographers and gallerists who are exhibiting over the weekend at the satellite shows. One exhibition I was taken to visit was Approche.Paris which was housed in a multi-level building just off Palais Royal, on Rue de Richlieu. The exhibition showcased 14 contemporary photographers/artists with different approaches using the medium of photography and constructed mixed media materials to challenge the often misconstrued legitimacy of photography as a ‘minor artform’.

‘Contemporary art and photography are not mutually exclusive.’

More about Approche 

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SHIBUYA – Curiosity Connects the World

This is one mega-exhibition that involves so many photographers & designers that will be traveling from Tokyo to Paris in 2018. Am honoured to be part of this historic event.

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Press Release 01 November 2017

“SHIBUYA – TOKYO CURIOSITY by TOKYO-GA”

DURATION: January 2nd to January 8th, 2018
VENUE: Shibuya Hikarie 8/Cube
Organized by NPO TOKYO-GA
Supported by The 4th ward, Paris. Shibuya ward, TOKYO
Cooperated by TOKYO-GA Supporters Circle

~ Curiosity connects the world ~ Identity・Diversity・Traceability ~

As one of the most dynamic city environments in Asia, Shibuya is at the forefront of new, on-the-edge trends and more particularly, of the emergence of a new Japanese life style. The dynamics of Shibuya have attracted the attention of the Japanese media and institutions. With the support of the city ward, the NPO TOKYO-GA has been charged to produce an exhibition featuring Shibuya’s identity at Shibuya Hikarie in January 2018.

This first exhibition will be the forerunner of what we would like to conceive as a traveling exhibition that presents the identity of Shibuya and the young Japanese generation abroad. Concrete and abstract themes will be featured through photography as a central element combined with mural video projection, virtual reality and art installations.

” I expect Tokyo-GA to communicate the exquisite charm, power, and vibrations of the Tokyo Megalopolis, with its sceneries and urban landscapes, a succession of vertical and horizontal rhythmical symphonies, which no other city in the world can give.”
~ Richard COLLASSE, President, CHANEL.K.K.

TOKYO-GA Participating Photographers
Satoshi ASAKAWA, Jean-Michel BERTS, Navid BARATY, Yukari CHIKURA, Renate D’AGOSTIN, Giuseppe DE FRANCESCO, Michael FEATHER, Stéphanie FRAISSE, Michel FRAPIER, Haruhi FUJII, the GAZE, Emmanuel GUILLARD, Mikio HASUI, Roland HAGENBERG, Tatsuya HIRABAYASHI, Kenji HIRASAWA, Taishi HIROKAWA, Tomoki HIROKAWA, Naoki HONJO, Norihisa HOSAKA, Minoru HOHTSUKI, Rie ISHISHITA, Kimiko ISHIYAMA, Gentaro ISHIZUKA, Keiichi ITO, Ooki JINGU, Bishin JUMONJI, Daisuke KAMIMURA, Chiaki KANO, Junpei KATO, Haruna KAWANISHI, Evarett KENNEDY BROWN, Rei KISHITSU, Eriko KOGA, Yasutaka KOJIMA, Kentaro KUMON, Osamu KURIHARA, Edward LEVINSON, Sebastien LEBEGUE, Steven LEE, Ilse LEENDERS, Tomoaki MAKINO, Yoshiko MATSUNAGA, Chihiro MINATO, Muga MIY AHARA, Mamiko MIYAHARA, Christopher MORRIS, Daido MORIYAMA, Yuki MORITA, Ken-ichi NAGASAKI, Masataka NAKANO, Hiroki NAKASHIMA, Sakiko NOMURA, Katsumi OHMORI, Mitsugu OHNISHI, Ryo OHWADA, Atsushi OKADA, Tsutomu ONO, Yuki ONODERA, Daisuke OOZU, Cesar ORDOÑEZ. Thomas PRIOR, Bruno QUINQUET, Takehito SATO, Tatsuya SHIMOHIRA, Taku SHINDO, Vincent SOULIE, Jeremie SOUTEYRAT, Ichigo SUGAWARA, Masayoshi SUKITA, Takeshi SUMI, Mikiya TAKIMOTO, Saori TAO, Kiyoshi TATSUKAWA, Yukinori TOKORO, Yoshihiko UEDA, Makiko UI, Kikuko USUYAMA, Kazuhiko WASHIO, Kazuki WATANABE, James WHITLOW DELANO, Michael WOLF, Celine WU, Masami YAMAMOTO, Yuki YAMADA(CHAP-TYAPU), Naomi YANAGIMOTO, Hiroshi YODA, Alao YOKOGI, Guenter ZORN

 

 


TOKYO-GA 東京画 MISSION STATEMENT
DESCRIBING TOKYO SCAPES BY 100 PHOTOGRAPHERS

In spring 2011, Japan experienced one of the biggest tragedies of its history that will remain in the memory of people for generations. The tremendous earthquake, the enormous tsunami and the catastrophic meltdown of the Fukushima power plant, all three incidents have damaged heavily the beautiful Japanese landscape and the trust in a safe Japanese nation.

TOKYO-GA, established in April 2011, gathers photographs taken by 100 photographers who have chosen Tokyo as their subject. Through the perspective of these photographers, “TOKYO-GA” wants to promote reflection on the development of the Japanese capital in the aftermath of the 2011 disaster. By looking at the works, the onlooker is invited to ponder over what is beautiful, what is sad, what is important, and to evaluate the possibilities that may lie ahead. The works illustrated show us some aspects of what is essential for Tokyo, something fragile such as an atmosphere, a behaviour or a gesture.

TOKYO-GA invites to share the beat and breath of Tokyo, a city undergoing big changes in this decade, and to witness the presence with sincerity through the eyes of 100 photographers who have each of them identified Tokyo in their own personal way.

Naoko OHTA
Commissioner Founder – TOKYO-GA

Further information
NPO TOKYO-GA
c/o KLEE INC TOKYO
8-12-25, Akasaka, Minato-ku, Tokyo 107-0052 Tokyo Japan Tel: 81-(0)3-5410-1277 Fax: 81-(0)3-5410-1278
Mail: info@tokyo-ga.org
http://www.tokyo-ga.org/

Ends

Thirty Pieces of Silver – K. Azril Ismail

 

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Popped by the stunning Wei-Ling Gallery, a Colonial-era shophouse in Brickfields which is currently showing Dr. K Azril Ismail’s collection of 30 hand-crafted plates, all framed and set in dark wood and black backgrounds. This collection includes plates produced during the years Azril spent in the UK researching, studying and photographing, often producing daguerrotypes, tintypes and salt prints, and some, of more recent productions in Malaysia. This is is second solo exhibition.

Bearing in mind the long processes needed, and the single edition plates, there are some stunning still life imagery to behold, but up close, since the plates are merely about 4 x5 inches of smaller and some are gorgeously presented in a folding leather display case.

There is a planned talk on 4 October, details forthcoming.

Highly recommended if not for the curiosity factor.

What : Leather bounded salt prints, ambrotypes, tintypes and daguerreotypes, special interest, vintage processes

Where : WEI-LING GALLERY  8, Jalan Scott, Brickfields, 50470 Kuala Lumpur, Wilayah Persekutuan Kuala Lumpur, Malaysia

“These pieces are hand-crafted, one of a kind, image-objects, with the lending hands of the great giants of photographic pioneers: Louis Daguerre, William Henry Fox Talbot, and Frederick Scott Archer, alongside with Herschel, Wedgwood, Scheele, Davy, Niépce, and Bayard. The tactile qualities and the idea of presenting an ephemeral experience to his works, all ties in with the artist’s belief that objects created by craftsmen are essential keepsakes.

Thirty Pieces of Silver is Dr. K. Azril Ismail’s second exhibition with the gallery following his seminal ‘Live Animals Inside‘ (2009) which documented the now demolished Pudu Jail. “

http://www.weiling-gallery.com

12 September  ~ 31 October, 2017

More info

Mt.Rokko Photo Festival 2017 Workshop

I’ll be heading out to the Mt.Rokko Photo Festival in a week’s time. I’m always looking forward to this time, late summer in Japan, and to meet the photographers, and see new faces and new photography. Thank to the Takeki Sugiyama the festival director, once again, for inviting me. I’ll be running a similar workshop to the previous years and it’ll be fun. 

Deconstructing the Photographic Portrait

Historical Context
Contemporary Practices
KLPA2017 finalists overview
Practical exercise in portrait photography

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Pictures from 2016 workshop, from Mt.Rokko Festival.

Brief

I will present a brief slideshow on the historic referencing of portraiture from the daguerreotypes of the early to mid 1800s to the camera obscura, and then to the invention of reproducible film and the negative. We will examine the influences of photography on painters and masters and it’s representational forms.
We will consider the modern practice of portraiture and contemporary styles, and look at the importance of the genre in modern society.

We will review portrait photographs brought by the participants and perform a deconstruction and critique of each other’s works.

In the second session, I will present some of my personal choices of the finalist entries from Kuala Lumpur International Photoawards from 2009 to 2017 including this year’s winning entries.

The workshop practical session follows with staged portrait shoots of participants in the studio or gallery space and outdoors.

Note to participants
Please bring up to 5 portrait prints taken by yourself, or from magazines/online that you wish to review and present. Please bring your camera.

Details

Workshop : Sunday 27 August, 2017, 2:00 pm to 6:00 pm

Event Page  & More Info

https://www.facebook.com/events/151517582093908/

Love Trumps Hate

The G20 is meeting in Hamburg this weekend. Parts of Hamburg is on fire, under sieged by protestors. The UK has suffered four terror attacks in the past three months, the nation is divided on Brexit whilst politicians are infighting like children; the horrors of the Grenfell Tower fire still haunt the nation.

We need alternatives and distractions. We need to love.

Featured Artist : Caroline Gavazzi

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I visited Caroline’s exhibition at The Brick Lane Gallery yesterday and thought I’d make a quick post about this amazing double exhibition of her last two projects, since the display will only be up for a short period, this weekend! At the front of the gallery, her recent work titled Tropical Sighs is a series of photographs taken through greenhouse glass of tropical plants. The works are all printed on art paper and appears painterly. The dirt and condensation from the internal surfaces of the glasshouse add layers of vibrant texture to the plant studies and gives them a unique look. Read her statement here . I was also intrigued by the way she boxed framed all her prints in clear perspex, perhaps creating another second ‘equilibrium-environment’ which has already been subjected to the living plants via the greenhouse.

The back of the gallery displays her earlier project titled We Are Here. This is a conceptual portraiture series depicting headshots in black and white of settled refugees from a small village in Calabria, Italy called Riace, where the town mayor, one Domenico Lucano, in 1999, welcomed the arriving Kurdish migrants off a boat. He managed to house them in the many empty homes in his shrinking village and through his ingenuity, persuaded the home owners to sell their properties to him for the purpose of providing migrant housing, to this day, is one of the success stories in the larger refugee crisis.

The portraits are all displayed, once again with the use of a transparent perspex layer of an enlarged fingerprint in front of the person – to symbolise giving back identities to what is often, faceless and stateless refugees, since we know that no two fingerprints are ever alike, and every print (and face) is a person of uniqueness.

Powerful stuff.


 

Caroline Gavazzi is a French/ Italian photographer who lived in London for over 20 years and currently resides between Milan and London.

Caroline presented a Slide Share talk at LightGallery in 2013 and since then, she worked at Spéos Photography School in London. She has Masters in Professional Photography Practice from LCC and also studied photography at Spéos in Paris.


 

Current Exhibition 

Tropical Sighs & We Are Here

5 – 10 July, 2017 Daily 10 – 6pm

The Brick Lane Gallery, 216 Brick Ln, London E1 6SB

www.carolinegavazzi.com

More Featured Artists here

London mourns

France24 broadcast journalist reporting live from the Candlelight Vigil at Trafalgar Square for the victims of the terrorist attack at Westminster on 22 March, 2017.  The last vigil I attended here at the same London landmark was on the occasion of the Paris attacks of November 2015.

This evening’s vigil was attended by thousands of local residents and visitors who filled the square, surrounded with armoured police vehicles, road closures and many armed officers.

What is your pick?

The 2017 World Press Photo of The Year has just been announced. Again, just only 24 hours of it’s publicity, much has been written on social media and the press whether the An Assassination In Turkey image by Burhan Ozbilici was appropriate or not.

Putting it into perspective a little – personally, I have the telly on most of the time, in the background, and it’s invariably tuned onto a news channel like Sky News, BBC, or Al Jazeera.  Living in the UK, it seems that almost daily, there is a Breaking News item being live reported or televised. The rolling 24 hour news that we live by is addictive and at best numbing – especially when there is a terrorist attack happening within 100 miles of where you live. It could well be 10 miles away or even right in Piccadilly Circus.

On 7 July 2005 suicide bombers attacked 3 transport locations in London simultaneously killing 52 people. Since then, there have been several deadly attacks in the City and as we all know recently in France, Belgium, Germany amongst other places. These attacks are close and becoming closer. In addition, there are victims who suffer permanent disabilities, least death. Then there are the daily reports of civilian deaths in bombings, migrant boats capsizing, refugee exodus.

Being informed about the news is once thing, but what can we do about the situation?

Nothing.

Year in, year out, we will continue to see murders and killings amongst man, and there will be photographs from these incidents that make the cut. That is the nature of Man and this is disheartening.

Now, if you did not see the breaking news of this assassination, or read the reports in the papers the next day, or did not even know about it, what will be your reaction? Is it iconic?

In the WPPOFTY, glorifying a cold blooded murder can be seen to be acknowledging the bravery of the photographer – as one of the judges put in – “to reward the photographer, not the crime”. I suggest the photographer be given a bravery medal. I respect the jury panel decision although that would not have been my choice. I think, as consumers of the news and observers of images, we, the masses can have a say about what we think.

If you were one of the jury, which image would you have picked for the WPPOTY?

My pick would be Brent Stirton’s Dead Rhino image. I cannot bear looking at it, and that is powerful. At least, I hope that Man can do something to stop these poachers.

[Featured Image ©Brent Stirton, courtesy Getty Images for National Geographic Magazine]