Amy Winehouse R.I.P

Simon McGregor-Wood, ABC News © Steven Lee

Drink, drugs and raw talent don’t mix.

Now that I have said it, I’ll let it go.

Being Sunday, and a beautiful sunny day, I wandered up to Camden town, more particularly, Camden Square to pay my respects to Amy Winehouse, the 27 year old London music icon who unexpectedly died yesterday here at her home. Camden Square is about a 10 minute walk from Camden Town, and is an upmarket residential area of terraced mansions and bungalows, surrounding a leafy garden square, with a children’s playground in the centre. Although I do not follow her music I realise she had an originality in her sound and style, having won 5 Grammies with her second album ‘Back to Black’. As a naturally gifted artist her demise is a sad and tragic loss to the British music world.


She’s been dubbed the Billie Halliday of our time, combining a retro-Detroit sound with modern jazz and RnB vocals. Her father is also a brilliant jazz musician in his own right. She has only produced 2 albums, but none in the last 5 years. For more details about her life, please visit here.

CUBA series : Yank Tanks

No photography trip to Cuba would be complete unless there are some photographs of old American cars, one of the main attractions of Havana. Chevys, Fords, Lincolns, Cadillacs and various other forms still continue to roam the streets despite some of these machines having gone way past their sell-by dates. We came across some fully restored fine examples of these 50’s glories, and also some really clapped out ones. Most, if not all have had their innards replaced by more modern Japanese or Chinese truck engines and their attraction aren’t to be missed. Mainly used as taxis to ferry locals, some carry tourists for sight seeing trips around Havana. Kinda cliché to photograph, but not unlike visitors grabbing shots of black cabs and red phone boxes in London. Here are some casual snaps of these Yank Tanks. I just love their bright colours amongst a back drop of crumbling earthy buildings.

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Yank Tanks by Steven Lee, 2011

I had my portrait taken…by a 111 year old box camera!



On the last Sunday before our group left Havana, I met Pepe on the steps of Capitolio, the state building in Central Havana. I was intrigued by the contraption of a camera he was fiddling with, basically, a large box, covered by pieces of paper torn from magazines, on a wooden tripod. A quick smile and a “Ola, and we chatted in English. I discovered he was operating his grandfather’s 111 year old camera obscura, or box camera, ..and…he can take a photo with it, and produce a pretty instant print for me in less than 5 minutes..slightly wet print, mind you, but a REAL silver gelatin print and not a Polaroid! He went on to show me how he can process the paper inside the box after he had exposed the paper by opening the ‘shutter’, a plastic bottle cap for 1 second from the cheap scratched lens at the front. You see, there are two small shallow trays inside the box, which processes and washes the print, then he slides open the tray from the back of the camera, and continues to fix it in another tray! Finally he dunks the print (still a negative image) into a bucket of water to rinse it.

Watch the birdie!

That’s not all! Because the first image is a negative print, he then proceeds to re-photograph this print by placing it onto a bracket in front of the lens. Suddenly, his portrait lens converts into a macro-focusing one. Pepe then adds some ‘old trickery’ to the print by sticking a fake Capitolio dome above the portrait, sticks some reversed “Cuba” and “Havana” letters and voila! (He calls this Photoshop) A perfect portrait of me sitting in front of the Capitolio is completed.

Another few minutes pass by, and he is busy processing the final ‘positive’ print inside the camera and hands it to me still wet. All the show for 2 CUCs!

Simply amazing stuff. I got Pepe to do our group photo after that.


French Flair


The French are inherently a stylistic lot when it comes to fashion, even attending a church service, like the one I encountered today at the basilica in Nice. However, it wasn’t the usual Saturday mass, but it was a mass confirmation service for 140 new confirmants, both from the black and white community. The black commmunity are mainly from Northern African countries, and less so of Carribeans like in the UK.

I love the way the Africans dress for church. They make an effort. Smart sharp suits, cool leather shoes for the guys, huge colourful hats, flowing dresses for the women, and pure white silk garments for the confirmants. And its a whole family affair too from the very young to the elderly.

C’est tres chic.

Something old, something new

Penny for the Guy, Columbia Road market, London 1998

I’ll start with the ‘old’ first. I was just looking through my archives looking for a suitable image to update a website this morning, and came across this photograph of three cheeky boys with their ‘Penny for the Guy‘. I had to stop and think about this street photograph shot in 1998, in the busy Columbia Road flower market in the East End of London. I vaguely remember making this photograph. It was a very chilly November morning, on Guy Fawke’s Day and I know it was the weekend, as the flower market is at its busiest. I shot it on film, yes, film, in those days, only 36 shots per roll.Fujifilm Neopan 400, Konica Hexar. I remember developing the film, printing and scanning it at home also. I doubt we shall see little boys wheeling pushchairs of Guy Fawkes nowadays in London, perhaps I’m wrong. I wonder what has become of these three boys today. I wonder if they will appreciate this photograph if I ever bump into them again on the streets. There are probably in their mid-20s today.

Some things never change in England. Like this 1970’s ice cream van. Kinda groovy isn’t it? I made this photograph just a couple of days ago in the Isle of Wight. The funny thing living here is that retro is so much alive. You can see these vans all along the coasts and beach resorts in England, selling 99 Flakes, homemade jams and cakes, fudges, tea  and coffee, and Walls Ice.

Blackgang Chine, IOW, 2011

I often photograph these scenes so as to remind myself that I don’t need to make ‘real meaningful’, award winning, social change photographs, all the time. I see many photographers nowadays seemingly pushing the boundaries to which they are comfortable with to make ‘impactful’  and ‘meaningful’ images, often leaving behind the more mundane everyday shots. Without the groundwork, and observational skills which need time to develop, many photographers try to run before they can walk.

Blackgang Chine, IOW, 2011

I reproduce what Eric Peris, a close friend and much respected photographer has to say recently in his introduction printed in the KL Photoawards 2011 catalogue which is most relevant to this post.

“There is of course no formula as such how to capture those special moments that tell a story. The images comes from within you. They are of what you see. An important factor here is patience. Rush work produces poor results. What is missing is, perhaps, looking out of the box. At most times we in some way do mirror images that have been captured by leading photographers of the past. We respect their work and in some similar way try to apply it to our work. There is nothing wrong about this but one must take that bold step to “re-structure” what one sees to express what we really want the viewer to see.”

French Connection

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Spent a couple of nights in Paris, my favourite city last week. Stayed close to the Republic area in a small hotel off the main road. I’ve been coming over to Paris since the early late 90s, and am quite familiar with the city and its sights, but, like any other large and culturally orientated city in the world, I’m always discovering new angles to photograph. Still being the Chinese New Year season, Chinese or Vietnamese Parisians stick great big red lanterns outside their business premises. They are all the same. Rather uniform lanterns. Paris is a walkable city, the boulevards and avenues provide magnificent vistas across the city and the tourist sights are filled with visitors from all over the world. I have noticed a significant number from mainland China and many Japanese visitors also.

I met up with Isabelle, a Cambodian Chinese Parisian, and Alexandre, a Pole living in Paris, at a local Vietnamese restaurant to sample the delicious beef pho in Belleville. The restaurant Dong Huong occupied three shop lots and was packed with diners, even on a weekday.

Tube portraits

I love surreptitiously taking photos in the London Underground, in off-peak times, as I often find there are plenty of interesting stills to capture, and people to photograph. People are usually so absorbed in their newspaper, paperback or smartphone nowadays to notice me snapping a few here and there. I find people’s shoes and stance often amusing, especially if there are suitably well dressed or have some item on them that stands out. Here’s three I snapped with my phone cam yesterday.

Back during film days, I shoot stealthily with a near-silent Konica Hexar, one of the best cameras ever made, in my opinion. I still have a Hexar sitting on my shelf, dying to get out for a run, like a house-bound Jack Russell. Nowadays, shooting silently is easy with compact digicams, but don’t forget to turn off that super-bright focus assist lamp! That, will surely give you away.