“The street where dreams are fulfilled and money is spent”. Bond Street in Mayfair is home to some of the world’s top fashion houses, designers, and luxury brands. The Christmas lights will be turned on soon, so I’ll head back there sometime.
There’s a charming little oasis, a waterhole, almost hidden from view, in Wimbledon Common where I walk Kipper regularly, where the golfer’s pass by via a cut-through path down a shallow dip linking the two tee-off areas of the public golf course.
Sometimes, you’ll catch a little egret resting in the shallow waters or on a fallen branch along the waters edge. I’m sure there’s fish in the pond. Over winter, the pond water freezes to a dirty crust of ice, encasing the floating leaves and debris left over from Autumn.
Finally, I can say that this long term photo project, of documenting the Common, is taking shape, into a book sometime in the future. I have sufficient images now from 5 years of photography (since we got Kipper and began exploring the area) to make a decent edit.
The G20 is meeting in Hamburg this weekend. Parts of Hamburg is on fire, under sieged by protestors. The UK has suffered four terror attacks in the past three months, the nation is divided on Brexit whilst politicians are infighting like children; the horrors of the Grenfell Tower fire still haunt the nation.
We need alternatives and distractions. We need to love.
I visited Caroline’s exhibition at The Brick Lane Gallery yesterday and thought I’d make a quick post about this amazing double exhibition of her last two projects, since the display will only be up for a short period, this weekend! At the front of the gallery, her recent work titled Tropical Sighs is a series of photographs taken through greenhouse glass of tropical plants. The works are all printed on art paper and appears painterly. The dirt and condensation from the internal surfaces of the glasshouse add layers of vibrant texture to the plant studies and gives them a unique look. Read her statement here . I was also intrigued by the way she boxed framed all her prints in clear perspex, perhaps creating another second ‘equilibrium-environment’ which has already been subjected to the living plants via the greenhouse.
The back of the gallery displays her earlier project titled We Are Here. This is a conceptual portraiture series depicting headshots in black and white of settled refugees from a small village in Calabria, Italy called Riace, where the town mayor, one Domenico Lucano, in 1999, welcomed the arriving Kurdish migrants off a boat. He managed to house them in the many empty homes in his shrinking village and through his ingenuity, persuaded the home owners to sell their properties to him for the purpose of providing migrant housing, to this day, is one of the success stories in the larger refugee crisis.
The portraits are all displayed, once again with the use of a transparent perspex layer of an enlarged fingerprint in front of the person – to symbolise giving back identities to what is often, faceless and stateless refugees, since we know that no two fingerprints are ever alike, and every print (and face) is a person of uniqueness.
Caroline Gavazzi is a French/ Italian photographer who lived in London for over 20 years and currently resides between Milan and London.
Caroline presented a Slide Share talk at LightGallery in 2013 and since then, she worked at Spéos Photography School in London. She has Masters in Professional Photography Practice from LCC and also studied photography at Spéos in Paris.
Tropical Sighs & We Are Here
5 – 10 July, 2017 Daily 10 – 6pm
The Brick Lane Gallery, 216 Brick Ln, London E1 6SB
More Featured Artists here
Edith Cavell Memorial, St Martin’s Place, WC2
“Patriotism is not enough. I must have no hatred or bitterness for anyone.”
Edith Cavell was a courageous British nurse that was executed by the Nazis in Brussels for aiding the the escape of Allied soldiers in WW2.
France24 broadcast journalist reporting live from the Candlelight Vigil at Trafalgar Square for the victims of the terrorist attack at Westminster on 22 March, 2017. The last vigil I attended here at the same London landmark was on the occasion of the Paris attacks of November 2015.
This evening’s vigil was attended by thousands of local residents and visitors who filled the square, surrounded with armoured police vehicles, road closures and many armed officers.
This was taken about a week ago when the Pen Pond in Richmond Park was frozen. Not a deep freeze, as overnight temperatures were only down to about -4C, but sufficient to form a thin ice crust on all the outdoor water features.
Last week, the lights went out in Piccadilly Circus. The giant multi-display screens that have lit the circus ever since the very first billboard advertising Perrier in 1908, were switched off for the dismantling and installation of a new single ‘state of the art’ digital billboard – apparently the largest in Europe.
The screens have only been turned off a handful of occasions before – for the duration of the Second World War, Winston Churchill’s funeral in 1965 and Princess Diana’s funeral in 1997.
Expect something amazing in the Autumn.
This is it! My lucky shot this morning whilst walking the doggie in Richmond Park. It was cold and frosty and the low winter sun was streaming down in between the skeletal trees. Grabbed four shots in succession before this young deer bounced away into the woods. This was the the sharpest image, taken with an ‘unprepared’ 50mm lens. Cropped slightly.
(Above : Adoration of the Kings, 1510 Jan Gossaert- free public sketch session)
The National Gallery is a wonderful resource and public institution to gaze at religious art – right from the early 1400s to contemporary periods. At this time of the year, paintings depicting the Christmas story particularly draw a lot of attention from visitors from all over the world. Here are a few that got my attention during a recent visit. It is always a great honour to view these masterpieces in real life, up close, snd see all the detail and intricacies of the strokes and depth of the oils on canvasses and boards.
The Adoration of the Kings, 1500 Vincenzo Foppa
The Annunciation, with Saint Emidius, 1486 Carlo Crivelli
The Adoration of the Shepherds, 1496 Luca Signorelli
More at : https://www.nationalgallery.org.uk