Encountered an anti-fascism and anti-racism rally in Central London this afternoon. There seems to be a protest of some sort every weekend in this city and this weekend is no different. Division and hate are so prevalent in many societies today, from East to West it seems like they are inherent in the very being of humankind. We just commemorated Armistice Day last weekend, a stark reminder of what man can do to each other.
In conjunction with the 10th Kuala Lumpur International Photoawards 2018 exhibition in KL (8 – 17 September 2018) I will be hosting a ‘walkabout’ practice session in photographing strangers we meet on the street.
Many people find taking pictures of strangers difficult, and so they end up photographing from a distance or the backs of them. We will practice how to engage strangers and capture their portraits, with their consent mostly.
This is a totally ‘free to join’ session for 2 – 3 hours, where you will practice approaching strangers and making engaging portraits, and having fun at the same time.
Who is this for?
Anyone who appreciates the challenges and reward of street photography and making portraits that communicate with the audience.
You must be well versed in using your camera and its exposure settings. This will not be a tutorial on camera settings and functions, just taking great portraits. Do not let the camera controls hinder your picture taking. Carry a camera and one lens, preferably 50mm or 85mm. Avoid long zooms. It should be an enjoyable experience.
Group size & Registration
10 maximum. Free to join. Advance registration required.
Email : email@example.com
Date and Time
11.00 am to 2:00 pm | Saturday 15 September, 2018
KL city centre – to be confirmed
Steven Lee is the founder director of Kuala Lumpur International Photoawards.
He began his photographic career as a documentary, travel and fashion photographer in the late 90’s when began writing travel related articles for magazines and journals. In 2000, he published his first coffee-table book titled Outside Looking In : Kuala Lumpur, which received the Asian Prize at PhotoCity Sagamihara Festival of the Image, Japan in 2007.
In 2007 he published his second coffee-table book MALAYSIANS, with 500 faces of diverse Malaysians. In 2008, he released MUSEO, comprising a collection of black & white abstract studies of antiquities, statuary, and architecture photographed in Europe from 2001 – 2005 is now available as a print-on-demand publication. Steven released LUMINA in 2011 his fourth book.
In 2009, Steven initiated the KUALA LUMPUR INTERNATIONAL PHOTOAWARDS, an annual international portrait photography competition centred in Malaysia, focussing on the best in contemporary portrait photography and has attracted the participation of some top international photographers. Steven continues to run photography educational workshops through EXPOSURE+ Photo Mentoring platform in Kuala Lumpur with other Malaysian photographers, and has been a portfolio reviewer and judge at international photo festivals and contests.
Steven ran classes on Documentary and Lifestyle / Street photography at City Academy, London from 2014-2016 and his latest initiative was organising the first PhotoSymposium Asia in 2017 and 2018.
Having missed the last 4 carnivals over the Bank Holiday weekend, this year I made a quick visit on the main day which is on the Monday, a holiday in the UK. Here are a few images from the day.
The Nottinghill Carnival begins tomorrow but the big board-up began in earnest this Saturday evening on the main roads and side streets around the carnival route. As soon as one shop front is boarded up, the packs of graffiti artists with multi-coloured spray cans in hand would begin their artistry. More businesses and private homes have chosen to board up their frontages in anticipation of the huge crowds over the 2 days.
Italy has a certain style and elegance that cannot truly be captured in pictures. The mix of culture, food, fashion, architecture, religion and a legacy so steeped in significant European history has culminated in a rich, thick, gravy of sensory and visual delights for photographers.
I was going through my archives in search of staircase pictures recently (see Simply Stairs ) and discovered several collections of images I have taken over the years in Rome, Venice, Tuscany and elsewhere. I managed to select these to illustrate what I mean. It is also different from France, another country which I have visited a lot.
This is one mega-exhibition that involves so many photographers & designers that will be traveling from Tokyo to Paris in 2018. Am honoured to be part of this historic event.
Press Release 01 November 2017
“SHIBUYA – TOKYO CURIOSITY by TOKYO-GA”
DURATION: January 2nd to January 8th, 2018
VENUE: Shibuya Hikarie 8/Cube
Organized by NPO TOKYO-GA
Supported by The 4th ward, Paris. Shibuya ward, TOKYO
Cooperated by TOKYO-GA Supporters Circle
~ Curiosity connects the world ~ Identity・Diversity・Traceability ~
As one of the most dynamic city environments in Asia, Shibuya is at the forefront of new, on-the-edge trends and more particularly, of the emergence of a new Japanese life style. The dynamics of Shibuya have attracted the attention of the Japanese media and institutions. With the support of the city ward, the NPO TOKYO-GA has been charged to produce an exhibition featuring Shibuya’s identity at Shibuya Hikarie in January 2018.
This first exhibition will be the forerunner of what we would like to conceive as a traveling exhibition that presents the identity of Shibuya and the young Japanese generation abroad. Concrete and abstract themes will be featured through photography as a central element combined with mural video projection, virtual reality and art installations.
” I expect Tokyo-GA to communicate the exquisite charm, power, and vibrations of the Tokyo Megalopolis, with its sceneries and urban landscapes, a succession of vertical and horizontal rhythmical symphonies, which no other city in the world can give.”
~ Richard COLLASSE, President, CHANEL.K.K.
TOKYO-GA Participating Photographers
Satoshi ASAKAWA, Jean-Michel BERTS, Navid BARATY, Yukari CHIKURA, Renate D’AGOSTIN, Giuseppe DE FRANCESCO, Michael FEATHER, Stéphanie FRAISSE, Michel FRAPIER, Haruhi FUJII, the GAZE, Emmanuel GUILLARD, Mikio HASUI, Roland HAGENBERG, Tatsuya HIRABAYASHI, Kenji HIRASAWA, Taishi HIROKAWA, Tomoki HIROKAWA, Naoki HONJO, Norihisa HOSAKA, Minoru HOHTSUKI, Rie ISHISHITA, Kimiko ISHIYAMA, Gentaro ISHIZUKA, Keiichi ITO, Ooki JINGU, Bishin JUMONJI, Daisuke KAMIMURA, Chiaki KANO, Junpei KATO, Haruna KAWANISHI, Evarett KENNEDY BROWN, Rei KISHITSU, Eriko KOGA, Yasutaka KOJIMA, Kentaro KUMON, Osamu KURIHARA, Edward LEVINSON, Sebastien LEBEGUE, Steven LEE, Ilse LEENDERS, Tomoaki MAKINO, Yoshiko MATSUNAGA, Chihiro MINATO, Muga MIY AHARA, Mamiko MIYAHARA, Christopher MORRIS, Daido MORIYAMA, Yuki MORITA, Ken-ichi NAGASAKI, Masataka NAKANO, Hiroki NAKASHIMA, Sakiko NOMURA, Katsumi OHMORI, Mitsugu OHNISHI, Ryo OHWADA, Atsushi OKADA, Tsutomu ONO, Yuki ONODERA, Daisuke OOZU, Cesar ORDOÑEZ. Thomas PRIOR, Bruno QUINQUET, Takehito SATO, Tatsuya SHIMOHIRA, Taku SHINDO, Vincent SOULIE, Jeremie SOUTEYRAT, Ichigo SUGAWARA, Masayoshi SUKITA, Takeshi SUMI, Mikiya TAKIMOTO, Saori TAO, Kiyoshi TATSUKAWA, Yukinori TOKORO, Yoshihiko UEDA, Makiko UI, Kikuko USUYAMA, Kazuhiko WASHIO, Kazuki WATANABE, James WHITLOW DELANO, Michael WOLF, Celine WU, Masami YAMAMOTO, Yuki YAMADA(CHAP-TYAPU), Naomi YANAGIMOTO, Hiroshi YODA, Alao YOKOGI, Guenter ZORN
TOKYO-GA 東京画 MISSION STATEMENT
DESCRIBING TOKYO SCAPES BY 100 PHOTOGRAPHERS
In spring 2011, Japan experienced one of the biggest tragedies of its history that will remain in the memory of people for generations. The tremendous earthquake, the enormous tsunami and the catastrophic meltdown of the Fukushima power plant, all three incidents have damaged heavily the beautiful Japanese landscape and the trust in a safe Japanese nation.
TOKYO-GA, established in April 2011, gathers photographs taken by 100 photographers who have chosen Tokyo as their subject. Through the perspective of these photographers, “TOKYO-GA” wants to promote reflection on the development of the Japanese capital in the aftermath of the 2011 disaster. By looking at the works, the onlooker is invited to ponder over what is beautiful, what is sad, what is important, and to evaluate the possibilities that may lie ahead. The works illustrated show us some aspects of what is essential for Tokyo, something fragile such as an atmosphere, a behaviour or a gesture.
TOKYO-GA invites to share the beat and breath of Tokyo, a city undergoing big changes in this decade, and to witness the presence with sincerity through the eyes of 100 photographers who have each of them identified Tokyo in their own personal way.
Commissioner Founder – TOKYO-GA
c/o KLEE INC TOKYO
8-12-25, Akasaka, Minato-ku, Tokyo 107-0052 Tokyo Japan Tel: 81-(0)3-5410-1277 Fax: 81-(0)3-5410-1278
Last week, the lights went out in Piccadilly Circus. The giant multi-display screens that have lit the circus ever since the very first billboard advertising Perrier in 1908, were switched off for the dismantling and installation of a new single ‘state of the art’ digital billboard – apparently the largest in Europe.
The screens have only been turned off a handful of occasions before – for the duration of the Second World War, Winston Churchill’s funeral in 1965 and Princess Diana’s funeral in 1997.
Expect something amazing in the Autumn.
As the Last Post ended, thousands of people standing in Trafalgar Square fell silent for 2 minutes at exactly 11am as they observed Armistice Day, commemorating the cessation of hostilities between the Allied Forces and Germany in World War 1, at 11am, 11th of November, 1918.
I could hear Big Ben ringing in the distance. Even the traffic around this monument halted. The red London buses paused alongside, their passengers peering out to see what’s going on. The traffic lights alternated between poppy red, amber and green several cycles but weren’t directing traffic.
A surreal moment in what is one of London’s busiest tourist spots.
The famous fountains weren’t spouting this morning either, but became a translucent resting mantle for thousands of red poppy petals, thrown or scattered gently by the guests, school children and amazed tourists alike.