San Marco, Venice

San Marco, Venice, 2012

Photo © Steven Lee

Just been going through my Venice images from February, my, how time flies, now we are already in July. Beginning to lay out our Venice Blurb photobook, and came across many gems from our participants too! It’s amazing how everyone’s vision of a place differs when some effort is applied to create something meaningful as opposed to just snapping away at postcard type images. Photographing in limited time, and with a purpose always make one become more creatively tuned to see new pictures, and experiment with angles, emphasis and personal styles. More later…

Dearly Departed : A Venice photo project

Someday the silver moon and I will go to dreamland
I will close my eyes and wake up there in dreamland
And Tell me who will put flowers on a flower’s grave?
Who will say a prayer?

Will I meet a China rose there in dreamland?
Or does love lie bleeding in dreamland?
Are these days forever and always?

And if we are to die tonight
Is there a moonlight up ahead?
And if we are to die tonight
Another rose will bloom

For a faded rose
Will I be the one that you save?
I love when it showers
But no one puts flowers
On a flower’s grave

As one rose blooms and another will die
It’s always been that way
I remember the showers
But no one puts flowers
On a flower’s grave

And if we are to die tonight
Is there a moonlight up ahead?
I remember the showers
But no one puts flowers
On a flower’s grave

Tom Waits Flower’s Grave

I love photographing in cemeteries, and it was planned that our workshop included a visit to the San Michele cemetery island just to the east of Venice, a short boat ride across from Fondamente Nuove. The island was designated a cemetery in 1807.

According to Wikipedia, ..”Bodies were carried to the island on special funeral gondolas, including Igor Stravinsky, Joseph Brodsky, Jean Schlumberger, Frederick Rolfe, Horatio Brown, Sergei Diaghilev, Ezra Pound, Luigi Nono, Franco Basaglia and Zoran Mušič. ” The cemetery is still in use today.

As an exercise for our workshop participants, everyone had to decide on a final project that must be executed during the 4 day trip, (including Andy and myself, as instructors.) This video became mine for the workshop trip. I was simply taken by the rows and rows of graves and tombstones, and how so many dead flowers, overturned vases and pots had been left in between the tombs. A week before we arrived, Venice was under over a foot of snow, frozen canals and I can imagine how serene and calm the cemetery must have looked in under a white blanket.

A mice, a snail and a unicorn.

The last day of the Carnevale saw all manners of characters and costumes being paraded around the small narrow streets, alleys, campos and piazas of Venice. We encountered Luke Skywalker and his light sabre, a bunch of Storm Troopers, some jolly Havaiana flips flops, some talking bowling pins, several Captain Jack Sparrows,a walking shower,  a woman in scuba gear, Darth Vader, Bob Marley, amongst others.. We were jostled about in crowded alleys, flour-bombed, and confetti-strewn. It was pretty wild.

Ciao, Venezia!

Just spend the last three days photographing Venice and the Carnivale. It had been a wonderful and interesting trip, tired feet, and cold. The Masqueraders were amazing, and the crowds were high too. Tonight, is our last evening together, and we say our goodbyes tomorrow after a final review of the workshop projects. More soon..!

Venice at Carnevale : There’s still time!

Just preparing our workshop for Venice in 2 week’s time. I hear it’s absolutely freezing so we’ll be prepared for cold weather photography. Plenty of hot chocolate and pasta. There’s still time to get flights if anyone’s keen on joining! Bring a sleeping bag if accommodation is scarce. It’ll be a fantastic trip, the last time I was in the canal city was in 2006 so it’s about time we made another trip. The Bellini is calling.

1-Day Practical Photography Workshop

INTRODUCTION TO DIGITAL PHOTOGRAPHY 1-DAY PRACTICAL WORKSHOP : LONDON

January 21st, Saturday 2012 £125 pp  : 10:00 am – 5:00 pm : Meet Trafalgar Square

Free hugs, Piccadilly Circus, 2011 © S Lee

Andy and I will be running this 1-Day practical photography workshop in Central London on Saturday the 21st January.

This popular full day ‘hands-on’ workshop will benefit those who are interested in understanding the processes behind basic digital photography, camera handling, shooting in different Modes, learning to get the most out of their digital cameras. Will also be suited to those wanting to polish their photography techniques in composition, photographing people in the streets and candid images. We will demonstrate using lenses to achieve different depth-of-field effects, exposure control, selective focusing and daylight flash techniques.

Based in Central London, we will ‘walk and shoot’ and return for a review of the day’s efforts.

Do get in touch with us if you have any queries : Andy Craggs andy_craggs@hotmail.com or Steven Lee svllee@gmail.com

Global Classroom Workshop with LimKokWing students

In May this year Andy and I ran a half-day Camera Clinic for some students from the Limkokwing Global Classroom in their London campus. Once again, last Thursday, 29th,  I led another similar workshop, in sweltering 28C temperatures here in sunny London. This time, there was supposed to be 30+ students, but only about half materialised from the Indian Summer weather we have been enjoying in early Autumn. Nevertheless, we had a Go! and I sent all of them out in groups of 4 or 5, onto the streets on an assignment for a ‘make-believe’ inflight magazine article, requesting images of ‘Summer in London.’

With students in various disciplines, from Business Studies, Accountancy to Graphic Design and Games Software, it was difficult to run a technical photography class. Hence, I resorted to good old creativity, imagination and Lady Luck which I believe every one of us possess in some form or another. Thanks to Linda Noor for organising this session.

I am awaiting results from the challenge.

Fruit of the Vine

The St.Emilion region produces some of Bordeaux’s most famous red wines from the Merlot and Cabernet Sauvignon grapes. A group of us arrived here to spend a few days touring some chateaus, taste some fine wines, and sample the local cuisine. Photography was an option on this trip, nevertheless, all of us brought our cameras and attempt some picture taking at the ‘degustations’. For me, a total novice in wine tasting, it presented a great experience to understanding the complexities and methodology that went into the making of this red nectar so famous across the globe. I learned that the average root depth penetration is 11 to 17 metres deep for vines, that can be productive for over 50 years. Density of plant, soil structure, rainfall aren’t the only variables that go into the taste. Post harvest, there’s the masceration techniques, fermentation, and aging that will produce the ‘bouquets’, structure and body of the wine. Many chateaus are secretive about their recipes, and even the kind of oak barrels used too age the wines will produce different aromas.

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The St Emilion rolling hills filled with patchwork of vineyards differs greatly with the Left Bank area north of Bordeaux city, where the land is unimaginatively flat and unpicturesque. Nevertheless, this Medoc region produces some of the world’s most well-known fine wines from Chateaus Lafitte, La Tour and Rothschild, amongst others. The chateaus are themselves works of art, and so much history goes before these vintages.

Who’s up for a whisky tour of Scotland next?

SLOW in IOW 2



The weather had been kind to us last weekend. The SLOW photography group drove south in two cars to Lymington and sailed across The Solent to Yarmouth, on the north west of the island. We spent the night in the 1930s style Shanklin Hotel. It was after all August, the height of the British summer, but the beaches in Shanklin and Ventnor weren’t even crowded.  The local deckchair attendant on Shanklin beach was rather perplexed and told me that usually, by mid-August, the weekends are overcrowded with beachgoers, and  he would have rented out all his chairs. Today, he spent time playing by the shore with his daughter and grandchild, a cute little blond.

The group spent over 2 hours walking along a stretch of seafront about 500m long, lined with tea shops, amusement arcades, gifts shops, cafes, and those that sell ‘swimming paraphernalia’, like blow up crocs, rubber rings, lilos, flippers, and colourful beach-balls.

I brought my trusty Rolleiflex along to shoot a couple of rolls of 120 film and since it was a SLOW approach, a lot of time was taken up with observing the crowd, chatting to some, and making contact with potential portrait sitters. Andy chatted to Joe, the friendly pedalo-minder, and we got some portraits of him posing in front of his hire sign. Katalin shot a series of Joe kicking a beachball.

Late afternoon, we headed out to the south cliffs of Compton Bay, and waited for the glorious sunset. Fernando, the conquistador of the sweeping long-exposure ‘guru’ demonstrated how to shoot a dramatic sunset, with graduated filters, bubble-levels, a sturdy tripod, and most of all, vision and patience. Vasuki made sure she had her 2X and 4X ND filters also, and managed to smooth out rippling waves in rock pools with her 5D Mark 2, and made friends with a huge dog.

The next day, we decided to pay a visit to Dimbola Lodge, in Freshwater on the south-western coast of the island. This is the childhood home of Julia Margaret Cameron, the celebrated Victorian portrait photographer. There is a permanent museum there and a revolving exhibition. On the way we stopped by Ventnor esplanade. The beach was still quiet at 10:30am.

An elegant and handsome retiree with wavy silver hair sat enjoying his coffee in a beach front cafe in Ventnor, obliged to have his portrait taken by the group. A hip surfer dad and his kids hung out in a fully restored red VW camper van also allowed us to photograph the interior of his ‘pride and joy’.

From Freshwater, we proceeded to hike towards The Needles, the most visited spot on the island. These are craggy sharp stacks of chalk that rise out of the sea on the southwestern most point of the Isle of Wight, used by sailors and shipping as a reference point. The view is breathtaking.


The IOW has a certain unspoilt charm about it. We found the locals friendly, the food to be of a very good standard, and the scenery simply outstanding. The weekend went by too quickly, and being an exercise for restraint, thoughtful photography, we found ourselves challenging our observation and compositional skills often.

Who’s up for Blackpool next?