Exhibition : Sanubari by NIRMALA KARUPPIAH

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Nirmala Karuppiah is a Malaysian fine art and documentary photographer and a friend whom I have known since late 90s. As one of the established fine art photographers in contemporary Malaysian photography she has spent the last two decades documenting various dance genres, mainly in the classical Indian discipline Odissi, Cantonese Opera, Northern Malay dance-drama Mak Yong and the healing rituals of Main Puteri from Kelantan, a northern state in the peninsula.

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SANUBARI is her first solo exhibition in the United Kingdom. The Malay word Sanubari has various translations, but one, which aptly describes it in the context of this exhibition is the ‘inner-self’, of deepest feelings reaching fever-pitch and a ‘heartfire’ which laces each work seen in the show.

Nirmala’s intrinsic talent, merged with a deep love and respect for these artforms are evident in each of her work; and Sanubari is aimed at presenting to the masses, both a historic and personal views of these dance genres, seen through her camera lenses in a myriad of perspectives.

Working predominantly in black and white, Sanubari is the artist’s intense pursuit of conserving, documenting and disseminating these artforms which, although has been written about in many journals and publications, still need to be actively trailed.

Exhibition :

M P Birla Millennium Art Gallery

THE BHAWAN

Home of Indian Arts, 4A Castletown Road, West Kensington, London W14 9HE

11 June – 1 July, 2015

Tel: +44 207 381 3086/4608

Email: curator@bhavan.net

Web: http://www.bhavan.netPerfection1

SONY WPO – MALAYSIAN BAGS TOP YOUTH PRIZE 2015 – SYABAS!!

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I am so pleased and thrilled to formally announce another embargoed news!
19 year old Yong Lin Tan from Penang, has beaten the other finalists, and has been awarded Youth Photographer of the Year for his stunning image Back Alley, (same image he won the environment category for).
Here is a link to his winning image: http://bit.ly/1aPENlt
Tan was flown to London to attend the awards, and received his prizes amongst a gathered posse of world journalists at Somerset House in London this morning.
Mong-Young Sim, also from Malaysia, was also awarded 3rd place winner in the professional Still Life Category.
Here is a quick link to his winning series, Greenvironmenthttp://bit.ly/1Oc0gaJ

Syabas! Syabas!

OFFICIAL ANNOUNCEMENT BY SONY WPO

Malaysian photographer wins Youth Photographer of the Year

at 2015 Sony World Photography awards, the world’s largest photography competition

Fellow Malaysian awarded 3rd place in Professional Still Life category

L’Iris d’Or/Professional Photographer of the Year plus other Professional category winners and overall Open and Student winners also announced – see all at http://www.worldphoto.org

Images available at press.worldphoto.org or Image.net


23 April: The Honorary Jury of the world’s largest photography competition today names 19 year old Malaysian Yong Lin Tan as the 2015 Sony World Photography Awards’ Youth Photographer of the Year.  In addition, Mong-Young Sim is awarded 3rd place in the Professional Still Life category.

Yong Lin Tan, from Penang Island, was selected as the overall Youth winner from the three Youth category winners who were revealed in March.  The Youth competition is open to all photographers aged 19 and under and is judged on a single shot. 

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Tan won for an image titled “Back alley”.  The photograph was taken during Chinese New Year in 2014 and was shot in a passageway in his grandmother’s house in Alor Setar, Kedah.

Talking about his win Tan comments: “I am very thankful and appreciate this recognition; all my hard work and dedication over the years of my photographic journey have paid off.  The journey is never easy but I believe that winning this award gives me more opportunities to share my works, especially those of my country – Malaysia – and my mom’s hometown – Alor Setar – to the world.  It feels incredible to know that the story of my mother’s hometown is able to be shared with a wider, international audience.  I will continue to produce works and tell more stories form my country that deserve more attention and try to bring them to the international stage.”

Tan was flown to London and presented his award and the latest Sony digital imaging equipment at a gala ceremony attended by industry leaders. 

Fellow Malaysian Mong-Yong Sim was selected from over 87,000 entries to the Professional competition for a series called “Greenvironment”.  It was awarded third place in the Still Life category.

Describing the series Sim comments: “From new life bursting out from the cracks on concrete walls to moulds that lay quietly against red bricks. You’ll be amazed how much “green” you have missed in your everyday life. If you pay more attention to your surroundings, you’ll notice the tubes underneath a pot of hanging plants actually makes a nice stand for it. You’ll also find that branches struggle to get away from the glossy window so that you’ll get to see them greeting you. Greenvironment wishes to send out a friendly reminder so that we all cherish the green around our environment.”

The work of both Malaysian photographers will be shown at the 2015 Sony World Photography Awards exhibition at Somerset House, London and will be published in the 2015 edition of the Sony World Photography Awards book.

Now in its eighth year, the Sony World Photography Awards annually presents the world’s best contemporary photography across a range of genres and is the world’s largest photography competition.  Free to enter and open to photographers of all abilities, it is an authoritative voice in the photographic world and attracts both emerging talent and established artists. 

The awards’ international judging juries are comprised of esteemed industry experts and the competition offers incredible exposure, credibility and recognition not only to its winners, but also those on its shortlist.  The 2015 awards attracted recording breaking entries, with 173,444 images submitted from 171 countries, confirming its position as the world’s biggest photography competition.

Here are all the winners of the 2015 Sony World Photography Awards announced on 23 April :

Open Photographer of the Year – Armin Appel, Germany
Youth Photographer of the Year – Yong Lin Tan, Malaysia
Student Focus Photographer of the Year – Svetlana Blagodareva, Saint Petersburg State Polytechnic University, Russia
Outstanding Contribution to Photography – Elliott Erwitt

Professional competition category winners

  • Architecture- Cosmin Bumbuț, Romania
  • Arts & Culture- Aristide Economopoulos, United States
  • Campaign- Sebastian Gil Miranda, France (lives in Argentina)
  • Conceptual- Rahul Talukder, Bangladesh
  • Contemporary Issues – Scott Typaldos, Switzerland
  • Current Affairs- John Moore, United States
  • Landscape- Simon Norfolk, United Kingdom
  • Lifestyle – Li Fan, China
  • People- Giovanni Troilo, Italy
  • Portraiture- Ruben Salgado Escudero, Spain (lives in Myanmar)
  • Sport – Riccardo Bononi, Italy
  • Still Life- Donald Weber, Canada
  • Travel – Bernhard Lang, Germany

Syabas! Two Malaysian winners at Sony World Photography Awards 2015 !

Received this fantastic news a few days ago, but obviously it has been embargoed till 00:01 GMT! Congratulations to both Malaysian photographers, and good luck in competing against the other category winners vying for the Main prize. I have been following the Sony World Photography Awards for some years now, and the Malaysian presence is definitely on the increase.

Both images are stunning examples of photographers being totally dedicated to the art, having good observational and sound technical skills, and might I add, waking up early and sleeping late to catch the unique moments.

Really well done and a fantastic experience and exposure!

Will try to attend the Gala Opening in London on 23 April.

IMMEDIATE PRESS RELEASE (From SWPA)

31 March, 2015 : Two Malaysian photographers are today announced as category winners in the 2015 Sony World Photography Awards, the world’s biggest photography competitions.

The two photographers are:

• Nick Ng Yeow Kee, winner, Low Light category, Open Competition

• Yong Lin Tan, winner, Environment category, Youth Competition

Ng and Tan’s achievement is extraordinary as they were selected from over 86,000 entries from across the world and yet neither is a professional photographer. The winning images were chosen by a panel of experts from the World Photography Organisation which was chaired by Sam Barzilay, Creative Director of United Photo Industries (USA). In both the Open and Youth competitions the judges were looking for the single best shot in each category.

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Ng, who lives in Kuala Lumpur where he works as Dental Implantologist and is Chapter Organizer of The Royal Photographic Society, won the Low Light category with an image titled “Early Dawn”. The image was taken in Old Kolkata, India Malaysia, and captures a group of people getting ready for the day.

With the same image, Nick was selected 2nd place for the Malaysia National Award earlier this month, a competition to find the single best shot taken by a Malaysian photographer. Talking about his winning photograph Ng comments: “The image was taken while I was walking along Old Kolkata. Seeing the locals entering an old abandoned shop-house along a row of old buildings, I decided to venture in, knowing that they were probably preparing themselves for the day. The shop house was an amazing spectacle, with streams of people taking their turns washing themselves as well as their clothes. After mingling for around five minutes, they accepted me as part of them, and that was when I started to photograph their morning activities.”

He continues: “I am still in shock after being selected the Low Light Category winner – it is one of the best moments of my life. This is definitely a high point in my photography journey, and will encourage me further in my passion as a photographer. I dedicate this to the people that have allowed me a glimpse of their life, and I am privileged to have listened to them silently.”

Back Alley

Tan, aged 19 from Penang Island, won the Environment category with an image titled “Back alley” taken in Kedah. The Youth Competition was open to all photographers aged 19 and under. Talking about his winning image, Tan comments: “This is the back alley of my grandmother’s house in Alor Setar, Kedah, Malaysia. I shot this during Chinese New Year last year when the sky is the clearest and brightest with stars. A flower plant can also be seen flourishing with limited resources and space, there is a lot of cats wandering around the back alley usually after dinner time, waiting to be fed by the good people around here.”

For their award, both Ng and Tan will receive a Sony ILCE-7M2K camera with 28-70mm kit lens and a Xperia™ smartphone. Ng will now compete against the winners of the other nine Open categories for the 2015 Sony World Photography Awards Open Photographer of the Year title and $5,000 (USD) prize.

The overall winning Open and over all Youth photographer will be announced at a gala ceremony in London on 23 April and this photographer will be flown to London to collect his/her prize. In addition Ng and Tan’s winning images will be exhibited at Somerset House, London from 24 April – 10 May and published in the 2015 edition of the annual Sony World Photography Awards book.

The winners of all ten Open categories, plus the Youth and Mobile Phone competitions which were also announced today, can be viewed at http://www.worldphoto.org.

Thaipusam Today

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Thaipusam Today, a short article I posted in 2008 with some black & white images taken in 2002/3 when I first photographed this amazing street event. For those going for the very first time, you will simply be in awe and quite literally don’t know what and where to point your camera. There are so many opportunities to photograph, and fighting your way through the crowds of visitors, devotees, and other fellow photographers seem like a real turn off. However, with a little patience, planning and preparation, you will make it through the day with some inspiring shots.

No doubt, you will want to photograph the young boys and men shaving their heads in submission, devotees showering and offering their prayers by the river, the Kavadi holders, and their in-trance gestures, their bodies adorn with hooks and oranges, and pierced cheeks and tongues, etc. But you have already seen them all before. Move on.

It is so easy to shoot repetitive images but difficult to capture artistic ones. You will want to shoot everything, and often, the barrage of fellow photographers will carry you along with them, all training their lenses at the same subject.

Move away from them and find your pace. Go wander off the main procession on your own and carry simple gear, avoid the crowds and go early. Photograph the preparations, the setting up and the helpers, the cleaners, the fairground operators, the stall holders, these are more interesting than the many typical images of Thaipusam you will have seen.

Most of all, enjoy this amazing festival that is rather unique to Malaysia and Singapore, and some parts of India.

Thaipusam is on February 3rd, 2015.

http://explorenation.blogspot.fr/2008/01/thaipusam-today.html

We signed our last MALAYSIANS book!

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Today, at Dapur, London overlunch, Haliza and myself signed the last copy of Malaysians a photobook which we jointly published in 2006 with a print run of 2,000 copies. We collaborated on this simple but informative book about Malaysia, Malaysians and our varied ethnic make up with simple head shot portraits.

Below is what I wrote in 2006 :

“MALAYSIANS Photographs by Steven Lee and text by Haliza Hashim-Doyle

A new coffee table book celebrating the unique and diverse ethnicity of Malaysia today : Hardback 148mm x 210mm 512 Pages

“Few things amaze visitors to Malaysia, besides its incredible economic development, than the diversity of its people. Even then, if one only visits one city or two, or a beach or mountain resort, the full spectrum of the multiethnic salad we call Malaysia cannot be fully appreciated. It is only when we see photographs of all of them, side by side as in this book that we know what Malaysian diversity truly means.” Foreword by Marina Mahathir.

The idea of producing another pictorial book on Malaysia came about in 2005 when I noticed that there was not a single publication in the bookstores in Malaysia and in the UK, that depicted the people of the country. There were several existing publications showing the sights of the country, its many amazing places of interests and our national monuments, but none showed the diversity of Malaysians, its fascinating mix of races, its cultural heritage and its rich traditions.

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From this point of departure, I began researching into this project and gathered my resources together and now, am glad to say, the project is underway. As a portrait photographer I am always on the look out for an interesting face. It is after all, a face that one sees first, as a visitor to a new country or place, it is also the first impression of a nation.

The book does not aim to document each and every race and creed. That would be quite impossible. However, it does represent a true cross-section of the nation as I see it during our travels across the length and breadth of the country. This glimpse of a ‘Malaysian’ identity, a vision of a Bangsa Malaysia, will be evident through the faces I portray and the stories and quotes that follow, will hopefully encompass all.

A country like Malaysia thus begins this series, because it is my Malaysia, my country and my people. SL”

Portfolio Reviews at Mt.Rokko

A warm and humid Kobe greeted us at around midday when the Kansai Airport bus dropped us off at Sannomiya Station on the 28 August. ‘Us’, being the four photographers and myself, ‘Team Malaysia’ on our way to attend the 2nd Mt.Rokko International Photo Festival 2014. I was here in November last year (see here and here ) so there is a familiarity surrounding the event. Not so for the ‘four’ as the thought of attending Portfolio Review sessions over the next two days had put slight fear and anxiety into some of them, as for most, this is their first ever review, and an international panel for that.

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The four were Ailsa Bowyer, Syefry Moniz, Lim Paik Yin and Nadia Jasmine Mahfix. The first three photographers were selected from the alumni of EXPOSURE+, a photo-mentoring program run by myself and several photographers and colleagues in Kuala Lumpur. Nadia had been involved as a participating photographer in the TWO MOUNTAINS PHOTO PROJECT which was part of the Mt.Rokko program of talks, and attended to present her series and took part in the reviews also. They essential presented their portfolios of photographs taken from their experience with the EXPOSURE+ program and came to Mt.Rokko armed with prints in portfolio boxes, folders, dummy books, and not forgetting calling cards. These photographers were selected based on their previous works, and are at a stage in their photography careers where they would benefit from having their works reviewed in an international environment.

No iPads at this review.

Portfolio reviews are an essential and important part of a photographer’s journey to becoming a better and more focussed artist. There can be a limit to attending workshops which give direction and practical tips in self-development, but with reviews, the act of photography takes on a new step, which is the presentation and editing aspects, and are often neglected nowadays, due to the use of on-screen presentations, and lack of opportunities for critical feedback of works.

Reviews are also about communication. Without clear and concise communication through discussions with the reviewer and the photographer, a photographer’s works will only be limited in visibility and understanding. Experienced reviewers can guide and suggest new methodology and editing which may help create tighter narratives or explore new directions.

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Each photographer had the opportunity to meet about 5 to 7 reviewers over both days, and also in casual chats outside the official sessions. In addition to the review sessions, they also displayed their portfolios at an Open Viewing session, open to the public and fellow photographers and reviewers from the festival. This allows a more casual sharing of each other’s photography, and was a valuable opportunity to make new contacts and networking.

Individual feedback from the photographers will follow.

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Follow EXPOSURE+ Photo Mentoring program here

In memory of Beken Ayuq

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In February 2007, I had the great pleasure of photographing this lovely lady for my book of Malaysian portraits. A Kelabit elder in the highlands of Bario in Sarawak, she goes by several names, as I discovered, the Kelabits have a tradition of having several names. Her full title I believe was Tepuq Na’am Ka’an @ Beken Ayuq @ Sineh Napung Aran @ Dayang Aran. She passed away on 16 April, 2014 at 105 years. She spent her time threading beads to make traditional hats and necklaces. Some of the glass beads are heirlooms and are highly values amongst the Kelabit.

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Here is an article about her here and a tribute by David Lian Labang below :

“In memory of Tepuq Beken Ayuq best testimonial act after bed ridden for over a year of unbearable pain from a femoral head fracture and underwent a speedy recovery in less than 2 month after a Hemiarthroplasty surgery (Hip replacement surgery) ~ which stopped the pain and made her able her to stand up and walk again. (No one expected that she could walk once more but only the possibility of standing up)

Well, my admiration of this Tepuq Beken Ayuq that, she could withstand the unbearable pain and long hours of bedtimes alone in which, the state of depression and lost of hope and confidence in oneself can set in for more than 1 year without surgery and, I’ve come to understand this torturous depressive state ~ from personal experience for laying helplessly in bed for less then “2 hours long” waiting for someone to help me because I was totally immobilized and not able to move my legs and arms from a different illness last year.

Tepuq Beken was the Iron Lady of the Kelabit people. She surpassed all medical, mental, physical, philosophical, historical and underwent all childhood hardships of unfortunate circumstances and into the 21st century modernity and technological advances.

Well, i know that it wasn’t technology that made her walk but it was necessary as an assistance and improvement to minimise pain. What really made her overcome depressions, self-confidence and a true belief in knowing that she would be able to walk again was her faith in Christ Jesus and her belief in the promises in the word of God and the prayers of all family and visitors that came to visit her.

As I know that wisdom extends/prolongs life.. I for one would never let her mind be discouraged or let be lukewarm. No matter how stubborn and uncooperative she would have been to others, but one thing for sure.. she responds well to the truth as she hears it with humility and a humble heart and the re-assurances from the Gospel in which she agrees to and conforms her heart into.

Never in my life I would expect myself to be convincing an elderly wise person like my grandmother who taught and instructed me a lot over the years. And I’ve never envisioned myself to be preaching the word from the bible; correcting her, rebuke and encourage—with great patience and with careful instruction to her.

She humbled me greatly and with tears (as it reminded me of my late grandpa which his humbleness and wisdom has never in anytime in his life would ever leave,separated or divorce his wife in any circumstances made me understood what he truly meant (dropping him on the plane from Bario to Miri for a serious medical treatment of his swollen leg) when he said as reminder while he is away saying “don’t leave tepuq alone and try to treat her well. she may be difficult at times but don’t get angry at her. she has gone through a lot in a lifetime and she is genuinely good person actually”. I said “sure. I’ll take care of her”. (listening but didn’t understand how is it possible for me, a grandson can ever to deal with her myself)

Grandpa (Tepuq Wan Bala) recovered from his swollen leg after 1 month in hospital, 2 month with me taking care of him in Bario and passed away 1 month after returning home with his wife in they own house. At grandpa’s funeral, I was in tears frustrated at him for leaving me alone to handle her alone by myself. As if, he was treating me unfairly by putting all that responsibility unto me unbalanced because I was an assisting grandson to them both but pre-maturely became a role given by him to balance her instead.

Over the years, after grandpa left, I kept patient and diligently seek the way how grandpa managed to handle her and throughout the years, I learnt so much about history, cultural values and kelabit identity through the fellowship she and I discussed together and to confided in her wisdom and knowledge (in defining our Kelabit language, culture, values and heart).

As I learnt to understand that no one should be alone and especially someone of an elderly age that are wise, hardly speaks of needing company and being a Christian, sharing the gospel was a good time together and reminding each other the opportunity to keep transforming by renewing of the mind.

Ephesians 6:12-13 “For our struggle is not against flesh and blood, but against the rulers, against the authorities, against the powers of this dark world and against the spiritual forces of evil in the heavenly realms. Therefore put on the full armor of God, so that when the day of evil comes, you may be able to stand your ground, and after you have done everything, to stand.

Well, for all that has gone past and history as shed tears. In all things, good time or bad times, fortunate and unfortunate circumstances.. tepuq beken ayuq and I have learnt to rejoice, praising the Lord in thanksgiving and in all glory unto Him because His goodness and mercy endures forever.

Lastly, peace to the brothers and sisters, and love with faith from God the Father and the Lord Jesus Christ. Grace to all who love our Lord Jesus Christ with an undying love.”

Review 2012 : My Top 20

As we approach the end of 2012, at the cusp of a new year, I always look back through the months to review the images that I have taken to see what has transpired photographically for me, personally. I have selected 20 instead of 15 in 2011, having taken more images this year. I am currently working on a series which I will announce perhaps in the new year, but still lacking in numbers for now, so it is shelved until Spring comes round. Commonscapes, a series of landscapes photographed in close by Wimbledon Common was started when I discovered that I actually like walking, (and contemplating) with dog in tow. I can see myself shooting MF not too long. If only there was a digital square medium format camera to use which doesn’t cost the Earth and more.

Photography today more than ever, takes on a new meaning for me. I still like shooting street images, but because I have seen so many street images that lack intent and story lately, I focus now more on humour and irony rather than drama and contrasts. I go through phases in my photography, like reading books. I am into crime novels at the moment.

2012 has been a challenge in many respects, what, with the rise in prominence of Instagram and smartphone images to a new level, and the slow death of DSLRs  caused by the onslaught of compact interchangeable lens formats, will surely be an interesting story to follow. Now that more and more photographers are composing through LCD screens rather than viewfinders, it would be worthwhile to examine if there are any compositional differences that may be gauged collectively in the kind and style of images that are produced throughout the world.

Here are my Top 20 for 2012 :

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1. Chinese tourists on the steps of St Paul’s Cathedral, London

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2. Height of Summer, Hyde Park, London

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3. Orang Asli mother and her children, ‘Magick River’, Perak, Malaysia

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4. By ‘Magick River’, Perak, Malaysia

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5. Butcher, ‘Little Burma’, Kuala Lumpur

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6. Cult revelers, Notting Hill Carnival, London

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7. Street pose, Notting Hill Carnival, London

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8. Christmas display, Kuala Lumpur

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9. Waiters waiting, San Marco, Venice

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10. Sami, Tunisian, Venice from series Merchants of Venice

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11. Wheatfield, Burgundy, France

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12. Tourists, Piazza del Campo, Siena, Italy

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13. Fairground boy, Wimbledon Common

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14. Wild flowers, Tuscany, Italy

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15. Dinosaur Coast, Brook Chine, Isle of Wight

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16. Wimbledon Common pond, from series Commonscapes

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17. Untitled 1 from series Commonscapes

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18. Veteran and his medals, Remembrance Sunday, London

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19. Winter walkers, Wimbledon Common

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20. Volunteer harvester, Bothy Vineyard, Oxford

See my 2011 Review here