Rita M, RIP

Last weekend I heard that Rita, a dear friend from a local church community whom I gotten to know over the years had passed away. You know how sometimes you meet someone, despite the age gap, you get acquainted, not in the sense of a close friend, but still, but a friend nonetheless. She’s always in church, at almost every mass, and she has been a firm volunteer in the parish, being responsible for producing the weekly newsletters and also a regular reader. She’s a cheeky so and so too, and so soft spoken, a very English lady from an era where respect and dedication is everything. From the way she dresses to her hair style, she would not be out of place in a 40’s British war time drama. She is also a very private woman.

There is another reason why I am writing this, partly as a dedication to Rita, but more so because I was in a slight fret a few days ago when Rita’s grand daughter rang and asked if I had the digital files of these portraits as she really liked them and wanted to make prints for the upcoming funeral service.

Now, every photographer worth his/her salt would know about workflow and the archiving process. I was certain I knew exactly where these files were stored. These were taken in June 2008 in Cafe Rouge in Kensington. I even remembered that!

Over the years, I have invested in external hard drives as back ups, and these were before Google Drive and cloud services. From about 2000 onwards, the commercial fashion and wedding shoots were burned to CDs, and I have them readily available still. Some were put on Iomega ZIP drives (remember them?). Around 2006 I got a Seagate GoFlex 2TB SATA shared network drive which was accessible via WIFI and used that as my main back up device and also home to the Time Machine back ups for my iMac. Then about 2011 I began to use Google Drive and DropBox as backups and smaller external plug in drives for portability.

Not really knowing where Rita’s files were exactly, I spent several days shifting through all my current drives, using keywords, algorithms etc but no luck. All I found were website thumbnail files which were about 800 px in height which is totally useless for print. I categorise my shoots files into folders named under year and month, but none of these folders contained the files.

I knew they had to be in the now defunct Seagate network drive but upon plugging in, the app failed to register. Shiite. The drive was making all the right clicks and whirrs but it’s been several years since I accessed it. After a quick search on the internet I found out that the Go Flex system is now no longer working and supported and the only way to get to the drive was to take it apart and somehow connect it directly to the laptop. So, another hour on YouTube self-learning about drive recovery, SATA, PATA, IDE, converters, and adapters I finally ordered one of these [https://www.amazon.co.uk/gp/product/B078GZG4ST] . China – Geeks Love You. Amazon Prime 24 hour delivery is amazing. I literally clicked BUY last night and this evening, I got the adapter.

This isn’t the end.

Upon connecting the naked drive with this gadget into my Macbook, the drive popped up instantly on the desktop. However, the drive folder is err.. empty! Nada, although inspecting the drive properties showed it has over 400GB used. How strange. I couldn’t understand why the files weren’t showing up. Until closer inspection brought up the words Windows NTFS on the drive. I am not really clued up about compatible drive formats between Mac and Windows OS but I knew I had to connect it to a Windows machine somehow. Luckily, I have an ageing Windows laptop which I quickly powered up and got it hooked up to the drive and voila! All my backup files showed up.

I finally managed to locate the Rita folder with all the CRW files shot on my Canon 5D with a 35mm f2 and 50mm f1.4 lens and I can sleep easy tonight. There is a lesson to be learnt here, but for now, I can’t think what it is. Goodbye, Rita.

Just Portraits

I’m currently in Kuala Lumpur, having attended the Mt Rokko Photo Festival last weekend as a reviewer (I will write an in-depth post about that amazing festival shortly), and I just had fantastic KLPA awards and exhibition, celebrating 10 years of the awards. The last weeks had been incredible,  making new connections with creative people and seeing many interesting photo projects, especially from young photographers, or even non-creative people attempting their first photo projects.

Meanwhile, I shot a few portraits below in preparation for a Street Portrait workshop this coming Saturday with my ‘new’ Nikon 1 V1 camera I got from Facebook Marketplace last month for a mere £100!

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Nadirah Zakariya

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Prakash Daniel

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Elena Herrero

Carnival Glimpses

Having missed the last 4 carnivals over the Bank Holiday weekend, this year I made a quick visit on the main day which is on the Monday, a holiday in the UK.  Here are a few images from the day.

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Brunch with Herlinde Koelbel

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I was in New Zealand recently, attending the Auckland Festival of Photography, by a kind invitation from festival director Julia Durkin. In its 15th year, the festival is well established and featured over 100 gallery exhibitions, international presentations, workshops and portfolio reviews. The festival center is located at Silo Park, where the specially curated thematic ‘Control’ exhibitions were held, literally in two giant disused concrete silos and a metal gantry in the surrounding open space by the water’s edge.

That was where I met Herlinde Koelbel, the respected German photographer known for her lifelong portraits of Angela Merkel and her series ‘Jewish Portraits’. In Auckland, Herlinde was showing her recent project Targets, part of the Control theme, as noted in the program  :

     “For years Herlinde Koelbl travelled around the world, and in a total of thirty countries, made photographs of the military targets used in the training of soldiers. As icons with which the various armies of the world learn the craft of war, everyone considers himself to be on the right side. In the reality of war, the soldiers themselves are always ultimately the target. For Koelbl, it was thus obvious that exhibited beside the mechanical targets are portraits of the soldiers – for they are the living targets.”

I spent my first morning in Auckland enjoying a delicious brunch with her in a cafe on North Wharf and snapped this portrait. We chatted about her project and discovered she had traveled to many countries, liaising with their militaries and consulates to gain access to their training and practice locations to photograph. Encountering obstacles and being passed from one department to another she nevertheless obtained permission in many of the prominent nations. ‘Targets’ attempt to show the ultimate futility in armed conflicts, the power play and arms race amongst nations. By portraying and comparing methodologies and practice targets used in various militaries, a powerful insight about the ‘art of killing’ and the soldiers trained to do so, only to discover that they are the very targets that the others are being trained to kill.

www.herlindekoelbl.com

Featured Portrait : Alana for TransLiving

 

 

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Spent Sunday afternoon photographing Alana Eissa for an upcoming feature for TransLiving International, a publication about the transgender community. This is the second portrait session I have been involved with the magazine.

 

Welsh encounter

This is John Hook, 81, from the Welsh town of Deri, in the Darran Valley. I met him walking his dog, a little pincer, along a path by a stream and we chatted. The Welsh are really friendly, like that. Maybe it’s just the older generation. He had worked as a coal miner in three collieries when he was younger, and also help started steel works in England. Now, retired, he stays outdoors as much as possible, walking and enjoying the countryside.

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In the 50-70s these valleys in South Wales were major producers of coal in Europe and there were numerous collieries providing employment to the local population for generations. The beautiful countryside where we met were completely blackened with the spoils, slag heaps and soot from the mines. These were all cleared and the land replanted or regenerated into public space. The last mine which closed here was in the early 80s as the industry collapsed.

 

 

Mt.Rokko Photo Festival 2017 Workshop

I’ll be heading out to the Mt.Rokko Photo Festival in a week’s time. I’m always looking forward to this time, late summer in Japan, and to meet the photographers, and see new faces and new photography. Thank to the Takeki Sugiyama the festival director, once again, for inviting me. I’ll be running a similar workshop to the previous years and it’ll be fun. 

Deconstructing the Photographic Portrait

Historical Context
Contemporary Practices
KLPA2017 finalists overview
Practical exercise in portrait photography

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Pictures from 2016 workshop, from Mt.Rokko Festival.

Brief

I will present a brief slideshow on the historic referencing of portraiture from the daguerreotypes of the early to mid 1800s to the camera obscura, and then to the invention of reproducible film and the negative. We will examine the influences of photography on painters and masters and it’s representational forms.
We will consider the modern practice of portraiture and contemporary styles, and look at the importance of the genre in modern society.

We will review portrait photographs brought by the participants and perform a deconstruction and critique of each other’s works.

In the second session, I will present some of my personal choices of the finalist entries from Kuala Lumpur International Photoawards from 2009 to 2017 including this year’s winning entries.

The workshop practical session follows with staged portrait shoots of participants in the studio or gallery space and outdoors.

Note to participants
Please bring up to 5 portrait prints taken by yourself, or from magazines/online that you wish to review and present. Please bring your camera.

Details

Workshop : Sunday 27 August, 2017, 2:00 pm to 6:00 pm

Event Page  & More Info

https://www.facebook.com/events/151517582093908/

Featured Portrait : Dr.Kamila Kamaruddin

 

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I had the pleasure of photographing Kamila, for a forthcoming transgender magazine feature, at Shepherd Market in Mayfair the other day. Kamila as a doctor, plays an important and positive role within the transgender community and continue to help dismiss stereotyping and transphobia attitudes in the society.